Carnival in Venice © Andrew Stawarz Music Destinations

From February 11 to 28, step away from the winter blues and into the magic of the Venice Carnival. The Carnival — il Carnevale di Venezia — fills the beautiful “floating” lagoon city with tourists and locals alike, parading in costumes and masks for a traditional celebration dating back to the 12th century. Masks have served a historical role in the Carnival as they were previously meant to disguise any visible differences between class, gender or religion.

The signature look, a white mask with a black outline and pointy three-cornered hat, is a sight hard to miss, but you are endlessly surrounded by the vibrance of those custom-made. Taking place during the 40-day Lent season, this extraordinary festival celebrates food, drink and joy across 53 official events throughout the streets, plazas and palaces hosting extravagant masquerades. Don’t be surprised to find events happening in the main waterways as well. Crowds gather everywhere, especially on Shrove Tuesday, the last and highly anticipated day of the Roman Catholic fest when thousands of tourists come together annually.


The atmosphere of the Carnival takes you back in time as you stroll across St. Mark’s Square, the epicenter of all Carnival festivities. Participate in the best costume competition that judges from the best-of-the-day costume to the ultimate grand finale winner. See the “Flight of the Angel”, where a beauty pageant winner rides a zipwire from the San Marco bell tower to the middle of Piazza San Marco in honor of the 13th century Serenissima tradition when an anonymous visitor to Venice paid respects to the Doge — the chief magistrate — with an embrace. Head towards the Gallery of Wonders in Ca’ Vendramin Calergi for an enchanting dinner show and masquerade ball.

Special concerts across historic locations in Venice

The Scuola Grande di San Teodoro, one of the eight Scuole Grande founded in 1258 in Venice, presents I Musici Veneziani: Carnival Concerts from Thursday, February 23, 20:30 to Tuesday, February 28, 20:30. Absorb classic opera arias that bring the Carnival spirit to life with the orchestra and singers dressed in 18th century Venetian costumes.

See the Musica in Maschera perform Vivaldi’s Four Seasons and other Baroque classics in 18th century costumes at the Scuola Grande Dei Carmini on Friday, February 17, 19:00. Dine first at the Trattoria Ai Carmini next door and experience the masterwork of Vivaldi in the heart of Venice with an interpretive ballet performance to complement the evening. 

La Traviata at Palazzo Barbarigo-Minotto, Venice © Photo: Alvise Nicoletti

La Traviata at Palazzo Barbarigo-Minotto, Venice © Photo: Alvise Nicoletti


The Palazzo Barbarigo Minotto offers various performances with Musica a Palazzo. From February 11, 20:30 to February 28, 20:30, watch Giuseppe Verdi’s La Traviata in a contemporary interpretation mirroring Verdi’s personal vision of opera. In this interactive performance, the first act has the audience sitting in the Portego (central hall) as Violetta’s guests. Violetta and Alfredo are introduced here and fall in love. Then the second act moves to the Sala Tiepolo to emphasize the intimate conversations of the characters. The final scenes conclude in the Camera da letto (bedroom with alcove) where the drama escalates surrounding Violetta’s illness and death. Experience a performance of a lifetime during Carnival with a glass of wine, facing the Grand Canal.

Verdi’s Rigoletto on Friday, February 17, 20:30 will fill the halls of the Palace with an unforgettable story. The opera unfolds in three acts laden with passion, betrayal, love and tragedy. Witness the magic of Verdi come to life where 18th century costumes blend in perfectly with the baroque design of the Palace. Candlelit scenes throughout the Palace halls highlight the Caravaggio paintings and draw you into a magical masterpiece with the backdrop of the Grand Canal. Enjoy a glass of Prosecco and see this historical opera as it was first performed in 1851.

Credits:Carnival in Venice © Andrew Stawarz


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